The litter in littérateur.

Macmillan ran an ad for The Checklist Manifesto in yesterday’s New York Times and took a shot at Amazon. Cheap?

Get ready to give 90 minutes of your life right now.

Clearly, you want the BookBook from Twelve South.

Over at the New Republic, Gish Jen asks, Why Do People Love Catcher in the Rye?

Meanwhile, the New Yorker’s Book Bench blog has collected remembrances and responses from several people, including Wes Anderson, Dave Eggers, and Joshua Feriss. The New Yorker’s Lillian Ross has also unearthed some photos she took of Salinger during the 1960s.

James Barron, who often lends his voice to the Times’ daily Front Page podcast, goes over the New York sites from Catcher in the Rye on the City Room blog.

The Guardian has a good roundup of other coverage.

Vanishing New York collects some news on a shake-up in Manhattan bookstores: Biography Bookshop in the West Village, which you might know because it’s across the street from Magnolia, is moving. Left Bank Books, which has a wonderful selection of collectible and signed editions. Finally, Skyline Books in Chelsea is closing.

A lot of people are saying a lot of things about the iPad. It’s revolutionary! It’s too compromised to be useful! It lacks important features like a phone, multitasking, camera, Flash support, etc. What’s certain to me is that the reactions—pro and con—are pretty much meaningless right now. I was trying to think last night about previous Apple product launches and how I felt about them. As I recall, there have been two Apple products in the past ten years that, when introduced, immediately prompted me to say, I want that! One was the Titanium PowerBook in at MacWorld in 2001 and the other was the iPod with video in 2005. Both products were updates to existing product lines. In the case of the PowerBook, it added a design unlike any other that I had seen before. In the case of the iPod, I thought that video would be a great feature that was worth waiting for. (Everyone knew it was coming once Apple had introduced the iPod Photo.) But here’s the thing, I’ve ended up not using the video feature at all during the past four years, really. I watched one movie on a plane once, and that was it. It wasn’t until I got an iPod Touch with a larger screen and better battery life that I really bothered to use an iPod to watch video.

The greater point here is that no one disputes that the iPod and iPhone were both game-changers—products that people now love and that redefined Apple as a company and a brand. I can safely say that when they launched, I didn’t want either one. I didn’t have anywhere close to enough of my music in MP3 format to make the iPod useful, and it was expensive too! The iPhone was even more expensive when it launched, and I remember thinking that there was no way I would get one because it would never handle email as well as my BlackBerry did. Of course, I did eventually get one, and it still doesn’t handle email as well as my five-year-old BlackBerry. But I don’t care because it does so many other things that I value. I can read the newspaper—several newspapers—in formats that are actually useable! I can listen to Internet radio. I can listen to live baseball games. I can listen to NPR on demand. I can browse the web. I can read stories from the web that I started reading on my laptop. In short, I can do a lot of things that I either didn’t know I wanted to do or whose value wasn’t properly contextualized for me until I actually had and lived with the device for a while.

I’m not saying that the iPad will succeed, but I am suggesting that the factors by which people are predicting its success or failure are, more than likely, incorrect because they are captive to our previous experiences. Who knows that developers will come up with for the device? Who knows what features a second or third generation update might add? Who even knows what it’s like to live with an iPad in your bag or on your desk for even a week? If anyone can take a product for which I feel I had no need and make it desirable, it’s Steve Jobs and Apple. As usual, I’ll be rooting for them. (more…)

Adam Gopnik and other New Yorker staffers responded to Apple’s iPad announcement.

Here’s a list of things from 2009 that I particularly liked. The list has no order to it. And so:

Leica M9 — A full-frame camera that not only is not an intimidating SLR but also comes from the greatest line of cameras—the Leica M series—but is also a gorgeous rangefinder, but also gives you access to the best glass in the world. In short, it’s my dream camera—the one that leaves me short of breath and utterly destroys my syntax when I attempt to write about it.

New York Yankees — There’s something about this team that I really liked more than any Yankee team since the 2001 group that lost the World Series to the Diamondbacks. Teixera, Sabathia, Damon, Matsui, Melky, Burnett, a beautiful new stadium, and the Core Four! What fun they made October and November.

Albert Stash — A laptop bag with a handle that you can actually use to carry it for long periods of time—score!

A Gate at the Stairs — Lorrie Moore’s first novel in I don’t know how long is ambitious and acutely observed and flawed and wonderful. It made me relive, for the first time in years, one of the most intensely felt periods of my life. It reminded me what it felt like then. Can I ask any more of a novel, of a work of art?

Changing My Mind — Many of the essays in this collection by Zadie Smith have appeared in the New York Review, the Guardian, and the New Yorker, but reading them in sequence gives you a greater appreciation for the intellect and wit behind them. Smith’s new essay on David Foster Wallace alone is worth the price of admission.

Too Big to Fail — Andrew Ross Sorkin set out to write a book structured like the film Crash and as thrilling as the business classic Barbarians at the Gate. I haven’t seen Crash, but his book is every bit as thrilling as Barbarians and full of choice quotes and anecdotes from the people at the top of the financial world.

Hiroshi Sugimoto at Gagosian Gallery — I walked across town in nine inches of snow to see this show. Was it worth it? Absolutely.

Sag Harbor — Colson Whitehead’s latest novel should be read on summer evenings on Long Island. Funny and nostalgic with language that is full of vitality and of the 1980s, its effect on me was similar to that of Lorrie Moore’s book, but the world it gave me access to was entirely imaginary—Whitehead’s not mine—and altogether enjoyable. Dag!

Lamy Noto — Okay, so this pen really came out in 2008, but I didn’t see it anywhere in the U.S. until the summer of 2009. A well-designed Lamy for $10? Yes, please.

Dehumanized — Mark Slouka’s essay in the September issue of Harper’s was, perhaps, the most refreshing thing I read all year—someone standing up, for all the right reasons, to the wrongheaded bias toward math and science (and away from the humanities) that has come to pervade everyplace from the university to the corporation to the op-ed page of the New York Times.

Ellipse — Imogen Heap’s first album in four years is awesome and her live show is even more awesome. The leadoff track on Ellipse, “First Train Home,” was my favorite song of the year, and I challenge you to not like it.

iPhone 3GS — I’m still using the original 2g version of the iPhone, but this year’s update brings more storage, video capability, and faster speeds. It’s great to have a product that delivers both Apple’s design sense and a large library of applications. (The Macs I’ve used for the past 15 years have always delivered the former but never the latter.) Listening to baseball games wherever I am? Check. NPR shows on demand? Check. The New York Times in a format that’s easier to browse than NYTimes.com? Double check. Now, if only it was available on a network other than AT&T.

Panasonic GF-1 — It’s no M9, but it’s sort of a poor man’s, i.e. my, rangefinder. When paired with Panasonic’s 20mm f/1.7 pancake lens, it’s the closest thing to a great compact camera that I’ve ever used. See sample photos from others here.

Unibody MacBook Pros — These things look solid!

Range — Was this San Francisco restaurant new in 2009? I don’t know, but it’s good.

The President — Our country got a new one in January, and it was a glorious moment. The man can play basketball and speak and write in complete sentences, and he seems to have a genuine intellect and conscience and sense of ambivalence.

San Francisco Panorama — A very well-done one-time newspaper for a city that has no good regular publication.

Economic Recovery — The Dow and I are both lower than we once were, but we’re certainly better off than we were a year ago.

Cape Cod — I had never been before this year and now I hope that there won’t be a year when I don’t go there.

Empire State of Mind — Maybe this isn’t a new anthem for New York but Jay-Z’s new single is certainly fun. Sinatra needs a break now and then, anyway.

Some things that I haven’t yet gotten around to that came out this year but that I think I might like when I do: The Financial Lives of the Poets by Jess Walter, Let the Great World Spin by Colum McCann, Wild Things by Dave Eggers and Where the Wild Things Are by Dave Eggers and Spike Jonze, and Wes Anderson’s film adaptation of the Fantastic Mr. Fox.

For the evidence, see this study that came out of the University of Alabama.

I just read (and enjoyed) Ian McEwan’s story, “The Use of Poetry,” in the New Yorker at the recommendation of T-Rex Tragedies, who cited this passage, which must make you laugh:

She said goodbye politely enough and went on her way, but Beard walked after her and asked if she was free the next day, or the day after that, or at the weekend. No, no, and no. Then he said brightly, “How about ever?,” and she laughed pleasantly, genuinely amused by his persistence, and seemed on the point of changing her mind. But she said, “There’s always never? Can you make never?,” to which he replied, “I’m not free,” and she laughed again and made a sweet little mock punch to his lapel with a child-size fist and walked off, leaving him with the impression that he still had a chance, that she had a sense of humor, that he might wear her down.

NFI Research has compiled a list of the independent bookstores with the most Twitter followers. Powell’s of Portland comes in first, by far, with 9,880 followers as of October 13, 2009. New York stores dominate the list, and only one Bay Area store, Booksmith, even makes an appearance on it. This is a sharp reversal of the state of things earlier this decade when notable stores, such as Coliseum and Gotham, were closing in New York, while Cody’s and Book Passage were expanding in San Francisco. A revival of indie bookstores has taken place in New York over the past couple years with successful openings of Idlewild, Greenlight, and Word, among others.

According to New Yorker photographer Platon, President Obama had the book Be Quiet, Be Heard: The Paradox of Persuasion by Susan and Peter Glaser on his desk during the campaign last year when Platon shot Obama for the magazine.

Platon delivered this nugget during his talk at the New Yorker Festival this afternoon. Of course, there were several others, as well. When he shot Bill Clinton for Esquire towards the end of Clinton’s Presidency, Platon told Clinton, “Show me the love!” Clinton’s advisers frantically attempted to tell him to not show Platon anything. The President responded, “Shut up. Shut up. I know what he’s talking about,” before delivering the pose that landed on the cover of Esquire. When P.Diddy arrived at Platon’s studio, he told him to cut the Miles Davis record that Platon had on the stereo and put in one of Diddy’s own records. Vladimir Putin is a huge Beatles fan. The three things that Michael Bloomberg said he could not do without on a desert island are “Salma Hayek. Salma Hayek. And Salma Hayek.” One of Platon’s photos helped compel Colin Powell to endorse Obama for President.

MP3 of Platon on snooping through Obama’s desk

I saw Sasha Frere-Jones interview Justin Vernon of Bon Iver as part of the New Yorker Festival last night. After the interview, Vernon played a brief solo set of the following songs. Unfortunately, I didn’t have my MiniDisc recorder with me, and I have yet to acquire a Tascam DR-1. So, I recorded the set with my iPhone, which sounds just about as awful as you would expect. Listen via the player below or download his set here. I’m not sure I got the title of the second song correct, and I couldn’t fine the lyrics online anywhere.

1. Hazelton
2. Miss You Can’t (Real title? YouTube)
3. Flume
4. Hayward

I have to admit that I wasn’t as taken by Bon Iver’s album as most people I know were. However, I’ll certainly give it another chance after hearing him live. What I found fascinating was how Vernon talked about moving back to Wisconsin and doesn’t really have any interest in living anywhere else. Even after making several declarations of allegiance to the place that I’m from, I’ve left it three times this decade. And even though I intended to return each time, I still always left hoping that I would come back and never leave again. Vernon’s comments about place aren’t anything new, but given my personal history and my recent reading of Wendell Berry’s essay “A Native Hill,” hearing someone consciously commit himself to the place where he’s from, even as his work is expanding the possibility to be elsewhere, was valuable. Berry returned to Kentucky after studying at Stanford and moving to Manhattan, and he writes about his home, “Before, it had been mine by coincidence or accident; now it was mine by choice.”

It’s often bothered me than I don’t know many people who lived away from their hometowns after college and then returned to them. And I think Berry and Vernon are getting at something that I haven’t heard much among the young professional set—the value in having your geography be a set place that you serve rather than a place that simply serves your ambition. For Vernon, returning home to write the Bon Iver record For Emma, Forever Ago made geography almost invisible; place became a given, not a distraction. The artistic freedom that allowed Vernon to write a record unlike any other could only come from geographic restriction. And you can really only limit yourself to a place and know you’re not leaving if you love it, if you commit to and are responsible for it. Back to Berry: “…I never doubted that the world was more important to me than [New York]; and the world would always be most fully and clearly present to me in the place I was fated by birth to know better than any other.”

(more…)

No surprises here—John Updike’s archives are going to the Houghton Library at Harvard.

Philip Delves Broughton, whose book on HBS I wrote about last fall, reviewed Matthew Stewart’s The Management Myth in the Wall Street Journal a couple months back. I’m currently enjoying Stewart’s skewering of business theory after having read his Atlantic article that spawned the book a few months ago. His thesis—that management theory is a false science—should be studied by anyone who has ever thought of employing SWOT, Five Forces, the BCG matrix, or any other fallacious framework.

I’ve visited countless author websites over the years, but, perhaps, none that I enjoyed more than Rudolph Delson’s. His Frequently Asked Question page alone is worth a click. Why he is no longer linking to it from his homepage, I’m not sure.

Check out a bunch of artists’ Moleskine journals that are part of the Detour exhibits on this Flickr Photostream.

Publisher’s Weekly has the first review of Valdimir Nabokov’s last book, The Original of Laura. The magazine calls the book a “very unfinished work [that] reads largely like an outline.” What’s most interesting and exciting is how the book will look:

Knopf is publishing the book in an intriguing form: Nabokov’s handwritten index cards are reproduced with a transcription below of each card’s contents, generally less than a paragraph. The scanned index cards (perforated so they can be removed from the book) are what make this book an amazing document; they reveal Nabokov’s neat handwriting (a mix of cursive and print) and his own edits to the text: some lines are blacked out with scribbles, others simply crossed out. Words are inserted, typesetting notes (“no quotes”) and copyedit symbols pepper the writing, and the reverse of many cards bears a wobbly X. Depending on the reader’s eye, the final card in the book is either haunting or the great writer’s final sly wink: it’s a list of synonyms for “efface”—expunge, erase, delete, rub out, wipe out and, finally, obliterate.

David Ulin writes in the LA Times about Amazon’s latest: “The issue, in other words, isn’t that Amazon has erased material from people’s Kindles, or de-ranked gay and lesbian writers, but that it can. This is the problem with the digitized canon and the electronic frontier: It’s mutable to the point of being vulnerable.”

Jonathan Lethem has opened a used bookstore in Blue Hill, Maine, called Red Hand.

I recently read his new book, Zeitoun, and wanted to note here that Dave Eggers is doing a few events in the Bay Area. Make it out if you can. (more…)

Yesterday on the NewsHour Ray Suarez discussed the future of the book publishing business and its handling of e-books with Jonathan Karp of Hachette’s Twelve, one of my favorite imprints. Karp likens the publishing business to gambling, but what business isn’t like gambling? I found his analogy between the Kindle and the Walkman to be a little misleading, however. Sony, though it had a music library when the Walkman came out, didn’t have the same retail relationship with customers. The comparison would be more apt if Karp’s employer, Hachette, was the one behind the Kindle and not Amazon.

Suarez prefaces the conversation with a brief segment about the book business as a whole, including a story about layoffs at Tattered Cover in Denver and a customer’s book buying binge of a response. (more…)

In the past, I’ve tried emailing large PDFs to myself to read using the iPhone’s native PDF viewer. Unfortunately, it’s extremely slow with any sort of large file, so reading books is out of the question. I also tried importing PDFs of books into Stanza. However, the files tend to lose all formatting and line breaks, giving you large continuous paragraphs of text with page numbers and headers embedded in the text of the work itself. One of the reasons why I would like a Kindle DX is to read PDFs of books and journal/magazine articles. However, there are also several reasons why I don’t want a Kindle. (more…)

826 National has published a catalog of the products it sells at the writing centers’ storefronts: Essentially Odd: A Catalog of Products Created For and Sold At the 826 National Stores. It is awesome.

A couple weeks ago I finally got around to reading Atul Gawande’s excellent New Yorker essay on why health care costs vary so wildly throughout the country. His conclusion—that this variance results from whether doctors approach their profession as a business or as a commitment to caring for patients—is so simple that many seem to have a difficult time accepting it. His article and follow-up are must reads for anyone who cares about health care in America.

Today’s New York Times profiles novelist Roxana Robinson. I can’t agree more about the need to have times and spaces where you know you won’t be interrupted.

Ms. Robinson, whose works include an acclaimed biography of the painter Georgia O’Keeffe and most recently the novel “Cost,” realizes that in choosing the unprepossessing small room over the more generously decorated bigger one, she has rejected a space most writers would kill for.

She can explain.

“I did everything but write in that room,” Ms. Robinson said. “I paid bills. I printed things out. I sent faxes. I was connected to the Internet.

“The assumption is that writers can write wherever they can sit down,” she added. “But the main thing you need as a writer is a sense of certainty that you won’t be interrupted.”

Distance from the Internet is part of the issue, but so is having a space that offers minimal distraction. For a writer living in New York, distraction can be the unwelcome flip side of inspiration.

I’ve been playing around with these devices for most of the year and have come to some conclusions about my favorite applications. Because Apple’s App Store is a bit of a mess, I’ve picked up most of my recommendations from other blogs and forums. So, here’s the list of apps that I wish I hadn’t had to spend time discovering because my iPod is better with them than without them, in no particular order:

• The New York Times – I previously posted about this application and how I would be willing to pay a fair amount for it. The only things I can fault this application for are that it’s not always clear when it’s finished downloading the day’s paper and it runs sluggishly on the iPhone 2g. Otherwise, the ability to save and email articles is great, and the interface makes browsing the paper easy. This is probably my favorite app, in part because it downloads the paper for offline reading and because I love the New York Times.
• MLB At Bat 2009 – This app costs $9.99, but it’s awesome. You can watch two live games a day and listen to any broadcast of any game live. I remember when I was a kid, I could barely get reception on the AM radio at night to listen to Vin Scully call the LA Dodgers games. Now I can listen to the Dodgers and the Yankees and the Red Sox and the Giants whenever I want. This app also features in-game video highlights from almost all games, which are nice, but the key feature is being able to listen to live broadcasts. (more…)

I recently discovered and immensely enjoyed the above commencement address that Samantha Power gave to Pitzer’s graduating class last year. Two topics it covers that I think are wildly overlooked by not just college graduates but by high-achieving people in general are a) the importance of whom you choose as your friends to your future success (above where you go to school or where you choose to work) and b) the importance of resilience and following your nose rather than your head. Confused about what that means? Well, turn up the volume on your computer and watch the speech.

I eagerly read the news this morning about Amazon’s new, larger Kindle DX. The larger screen and the PDF capability seem to make it an ideal reader for not only newspapers and magazines, but also for books and and Word files and, well, nearly everything. The thought of 200-page books becoming 500-page books on the Kindle 2 never sat well with me, but it looks like the Kindle DX could preserve the original page dimensions for most books, which is great news. 

However, the problem I have with the Kindle is that it simply doesn’t make economic sense as a replacement for the publications I read. I subscribe to two magazines that are available on the Kindle—the New Yorker and the Atlantic—and sometimes subscribe to several others that aren’t, including the New York Review of Books, Elysian Fields Quarterly, the Believer, McSweeney’s, n+1, the Paris Review, I.D., and Open City. I also read the New York Times on a daily basis and am often a print subscriber. 

So, let’s see how switching to reading my subscriptions on the Kindle DX would work out. The initial cost of the Kindle is $489. I would also probably purchase the extended two-year warranty for an additional $109 because I’m a sucker for those things. I would probably purchase some sort of case for the device, but won’t include that cost here. Throw in sales tax of 8.25%, and you have an initial Kindle cost of $647.33. That’s a lot of money for a reader, but is it worth it? 

Well, let’s see. Subscribing to the New Yorker on the Kindle costs $2.99/month, the Atlantic $1.25/month, and the New York Times $13.99/month. I currently pay $29.99/year for the New Yorker, so I’ll just assume that there’s no cost savings at all for that magazine. I pay $24.90/year for the Atlantic, which works out to a savings of $0.79/month. Now, I’m aware that it’s not entirely fair to compare cash flows for a yearly magazine subscription paid all at once and the monthly Kindle costs, but it doesn’t make much difference in this example. Finally, let’s assume a print subscription cost of $30/month for the New York Times. Given the Times’ frequent promotional offers and my tendency to alternate between seven-day, Sunday-only, and weekend-only subscriptions, I think that value is fair enough for these purposes. Switching to the Kindle edition of the Times produces a monthly savings of $16.

Now, let’s assume an annual discount rate of 6% in better economic times. With a monthly savings of $16.79, it would take nearly four years before you broke even on the original cost of the Kindle. Four years from now, your extended warranty will be expired and your battery shot. It doesn’t seem like a very good deal.

Let’s include books in the mix and say that I purchase one new Kindle book each month, saving $6/book over Amazon’s existing hardcover prices. Even then it’ll take me two years to break even on the purchase price, by which time my Kindle DX will be obsolete. So, the Kindle never really generates any sort of sustained savings over its traditional media equivalents, at least for me. 

I’m aware that I’m not considering the value that users might put on the Kindle’s convenience and other features. Likewise, I’m not considering the premium that readers might put on traditional books—and the ownership rights, longevity, portability, and tangibility that come with them—either. Are any of those enough to make up for the shortfall? Or do they only swing the pendulum further against the Kindle? 

I have no problem with paying for digital content and the convenience that comes with it. In fact, I would probably prefer a less expensive device and more expensive content. At its current price-point, the Kindle DX is only going to attract early adopters and is far from becoming a product for the masses.

Apparently, Jonathan Lethem handed out CDs containing his own personal soundtrack to The Fortress of Solitude after the novel came out back in 2003. The Millions was able to unearth the track listings on the Internet Archive, but the Archive’s page is now down. So, I’m posting the track listings here in the hope of preserving them a while longer.

Disc One

1. David Ruffin — No Matter Where
2. Four Tops — Ain’t No Woman
3. Bill Withers — World Keeps Goin Round (live)
4. Randy Newman — Short People
5. Syl Johnson — Anyone But You
6. The Spinners — One of a Kind Love Affair
7. Marvin Gaye — I’m Goin’ Home
8. The Prisonaires — Just Walkin’ in the Rain
9. Hot Chocolate — Brother Louie
10. Manhattans — Shining Star
11. Gillian Welch — My First Lover
12. Marvin Gaye — Time to Get it Together
13. Phil Ochs — City Boy
14. Billy Paul — Let Em In
15. Howard Tate — Get it While You Can
16. The Spinners — Sadie
17. Pete Wingfield — 18 With A Bullet
18. Marvin Gaye — You The Man
19. The Last Poets — Two Little Boys
20. Maxine Nightingale — Right Back Where We Started From
(more…)